A painter who tries to paint
God and opens his closed-eye.
This film juxtaposes various
characteristics from the cinema in order to propose a filmic potential.
These characteristics include color, grain, frame rate, sound, editing
strategies and even various aspect ratios. These elements are released
from their substrates into an expressive and narrative foreground in order
to accumulate as active components in the meaning constructed within a
film. Graven seeks a new alignment between the audience and the projected
experience by way of multi-format filmmaking.